Sie sprach davon, wie sehr sie sich danach sehnte, ein Junge zu sein, dass ihr weiblicher Körper eine Last war, die sie tragen musste. Remember her name and try to follow her exhibitions.” “Gertrude Vanderbilt Whitney: Sculpture” will travel to the Planting Fields Foundation in Oyster Bay, N.Y., in June and to the Newport Art Museum in …

Until 1927, she held regular exhibitions of the work of such then-struggling artists as Sloan, Hoffman, Guy Péne du Bois, Florence Lucius, Grace Mott Johnson , Charles Demuth, Henry Schnakenberg, and Walt Kuhn. Gertrude Vanderbilt Whitney. The former, Source:, New York, New York County (Manhattan), New York, USA, Old Westbury, Nassau County, New York, United States, New City, Rockland County, New York, United States, Alfred Gwynne Vanderbilt (RMS Lusitania victim), Another, held in 1915 to benefit the Fraternité des Artistes in France, featured the works of Auguste Rodin, Edouard Manet, Mary Cassatt , James McNeill Whistler, and Honoré Daumier. From 1933 to 1934, she also was regional director of the federal Public Works Art project. Whitney. . The same could be said for most of the other artists whom she assisted, either directly—financially or through exhibitions at the Whitney Studio or Galleries—or indirectly, as a consequence of the rising status of American art. We are also grateful to Lark Hotels for their in-kind sponsorship of the exhibition. "Whitney, Gertrude Vanderbilt (1875–1942) Whitney, Sculptor, Is Dead," in The New York Times. Das Haus der Familie in New York City war ein opulentes Herrenhaus in der Fifth Avenue 742–748 . Zu den zahlreichen Werken von Gertrude Vanderbilt Whitney in den USA gehören: Victory Arch , eines von zwei Bronzereliefs, New York City, Washington Heights-Inwood Kriegsdenkmal (Erster Weltkrieg), New York City, Buffalo Bill - Der Pfadfinder , Cody, Wyoming, Denkmal für den Entdeckungsglauben , Huelva , Spanien, Die drei Grazien , McGill University , Montreal, Quebec , Kanada, Gründer der Töchter der amerikanischen Revolution , Washington, DC, Aztekischer Brunnen , Pan American Union Building, Washington, DC, Brunnen von El Dorado , Detail, 1915 Panama-Pazifik-Ausstellung. Gertrude had a passion for art, which she rediscovered on a trip to Europe in 1901. [14] Her offer was declined because the museum would not take American art, and in 1931, Whitney decided to create her own museum by renovating and expanding on one of her own studios. Founders of the Daughters of the American Revolution, Washington, D.C. Aztec fountain, Pan American Union Building, Washington, D.C. Fountain of El Dorado, detail, 1915 Panama-Pacific Exposition, Whitney's Titanic Memorial is considered by critics as the most important achievement in her artistic career. [9] Although her catalogs include numerous smaller sculptures,[4][10][11] she is best known today for her monumental works. [19] In 1922, she financed publication of The Arts magazine, to prevent its closing. 1910 stellte sie ihre Arbeiten unter ihrem eigenen Namen öffentlich aus. Vor Kurzem empörte sich LeBoutillier öffentlich, dass das nach ihr benannte Museum eine Ausstellung mit 46 von Gertrudes Bronzen ablehnte, die zuvor im Norton Museum in West Palm Beach gezeigt worden waren. und Elements of Gertrude's early life hinted at lesbian or perhaps what would now be termed non-binary or trans identity.

The first was the 1914 "50–50 Art Sale," in which the profits were split evenly between the artists and the American Hospital in Paris which was tending to the wounded soldiers of World War I. She spoke of how she longed to be a boy, that her female body was a burden she was given to bear. Gertrude Vanderbilt wurde am 9. In 1934, she was at the center of a highly publicized court battle with her sister-in-law, Gloria Morgan-Vanderbilt, for custody of her ten-year-old niece, Gloria Vanderbilt.
Gertrude Vanderbilt Whitney, Model for Unidentified Memorial, Perhaps to the Sinking of the Lusitania, 1920, Plaster, Gertrude Vanderbilt Whitney Studio, Old Westbury, New York. Gertrude Vanderbilt Whitney (January 9, 1875 – April 18, 1942) was an American sculptor, art patron and collector, and founder in 1931 of the Whitney Museum of American Art in New York City. The scale appealed to Whitney. Elemente von Gertrudes frühem Leben deuteten auf Lesben oder vielleicht auf das hin, was man jetzt als nicht-binäre oder trans-Identität bezeichnen würde. [19] She was the primary financial backer for the "International Composer's Guild," an organization created to promote the performance of modern music.[36]. Nose of Cyrano de Bergerac, mouth like a circumflex accent. Die erste Wohltätigkeitsausstellung, die sie organisierte, war 1914 der 50-50 Art Sale . Das Haus stand zwar auf dem weitläufigen Landsitz ihrer Familie, aber es war ganz ihr Reich.
Ihre ältere Schwester starb, bevor Gertrude geboren wurde, aber sie wuchs mit mehreren Brüdern und einer jüngeren Schwester auf. Im Alter von 21 Jahren heiratete sie am 25. Gertrude Vanderbilt Whitney became an artist in spite of her birthright. Whitney schuf das Denkmal von Christoph Kolumbus mit dem Namen "Monumento a la Fe Descubridora" ( Denkmal für den Entdeckungsglauben ) in Huelva , Spanien, 1928–1933. You can log in before your purchase, or during the checkout process. She invited 20 painters to spend three days in the studio and supplied them with canvases (the size was randomly assigned—so a muralist had to contend with a tiny canvas), paints, brushes, food, whiskey, and cigars. By the end of the 1920s, collectors were paying thousands of dollars for their paintings. Whitney, Gertrude Vanderbilt (1875–1942) Aside from being a member of the turn-of-the-century American elite, Whitney (1874-1942) was a virtuoso sculptor, a proponent of American Modernism and one of the most influential arts patrons of the 20 th century.